#i just think it encapsulates his whole character well

[mental-mouthful]

Hickey for the character asks pls? 👉👈

ohohoho! lovey suggestion !! i am always down to talk about a fellow ratt, so yes of course!

First Impression: IS THAT FUCKING HICKEY?? THE FERRET FACED FUCK I HATED WITH MY WHOLE BEING? THAT'S HIM? THEY MADE HIM A FUCKING TWINK???? People better not be fucking woobifying him i swear to god...

Impression Now: ohh noo. oh no my worst fear has come to life... i like hickeyyyy i like him a lotttt. i feel like this is how billy feels just "oh god. oh god is this working for me? son of a bitch it's working" On a real note though, he is sooo fascinating to me. He's a lot more genuine than i think people give him credit for. He's just so paranoid and has been taught to be so self-sufficient that it overrides any actual connection he might make with people. When given the chance to help, he does so, even if it is often tied to making himself look good. He didn't have to help Manson and Hartnell take Hornby's body down. He could've just cut in to undermine Irving and left it at that. He didn't have to grave rob to propose to Billy. He could've left everyone to burn in the carnival. (The fact he gutted McDonald do so and only looked as upset as "you fucking idiot, you stained my knife"... well that's just the other half of his personality showing) But he does all that. bc he does care. in his own twisted, detached way. Adam Nagaitas said something to this tune in an interview and its like. yeah!! he does care!! ...he just cares about getting himself on top (👀) more than any of that.

Favorite Moment: Goddddd what a hard question. Is it bugger victoria? (shout out fitzjamesbulletwound) Is it ratt wedding? (his smile is so sweet) is it his speech at the gallows? ("BUT ABANDONING HIS SHIP!!! SHOULD NOT BE AMONG THEMMM ☝️") i could be predictable and say its him taking his lashing like a fucking champ. his cheeky fucking smile throughout really encapsulates his "fuck you, I'll endure just to spite you" attitude. No it's not any of that. It's his casual smoke after he and billy get caught. it's really indicative of his personality and the unshakable force he'll be in the narrative. "there's worse things than being lashed ;)"

Idea for a Story: would loveeee to do a deep dive into his past. even if leaving it a mystery is more compelling, I'd really like to see what kinda menace he is on the streets of england.

Unpopular Opinion: that he actually doesn't want to eat people. he wasn't going into this with the hope that they'd turn cannibal. the situation had just gotten so dire and his lead poisoning and/or god compex had corroded his brain so bad he probably thought it made him an apex predator.

Favorite Relationship: He's got so many delicious dynamics to choose from but I think I'll go Crozier. He wants to be his friend. He wants to usurp him. He wants to fuck him. He wants to kill and eat him. He doesn't want his men to rough him up. He greatly looks forward to having a chat with him at the end of the world. He chains him to a boat.

Favorite Headcanon: that he plays the piano. and he's not great, but he knows his way around it. and its great fun to play for a crowd of belligerently drunk assholes who dont know the difference.

ANYWAYS THANK U THANK U FOR GIVING ME A REASON TO TALK ABOUT THIS FREAK <3333

[kiwi-and-pasta-at-3am]

The main difference between us is that you're gonna be like "this song is literally this character" and give me a song that is either a beautiful introspection and analysis of that character's psyche or hayloft

Meanwhile I'm gonna tell you "this song is literally Ronald Speirs" and it's Shia Labeouf live by rob cantor

And I'm right.

[moe-broey]

LIKE..

[yourlazykitkat]

Joel's celestial symbol being a car isn't complete crack and actually might be a good idea.

In Fast and Furious franchise, one of movies' climax have the characters strap jetpacks to a car which is strapped to a military aircraft in which two characters drive off and are sent into orbit. Yes this is thing that happens and yes, it somehow does perfectly capture the narrative of joel's victory and what it brings to the celestial symbolism.

I have never watched the fast and furious movies, all i know about this franchise is this scene and that it's about family and that's all you really need to know. But still, i shall yap.

The Fast and Furious movies are a perfect intertextual lens to view the Wild Life season and Joel's victory. The franchise has two highlights to it: the fucking spectacle and the interpersonal relationships. Did I enjoy the mechanics of wild life? Not particularly but I enjoyed the spectacle; the rush of I don't know what the fuck is going on but I'm here for the ride. Did I enjoy the storylines? There won't many clear and strong storylines this season as much as there were ever-resonating character beats that I ate up like it was the last supper. (JUST LIKE IN FAST AND FURIOUS)

Pearl and Scott reluctant allies and healing, BigB and Cleo healing, Etho's slut arc, Bamboozlers overcoming their character's persistent struggle with loneliness together, whatever the fuck treebark is doing, pearl picking her champion in impulse, grian losing his two wings. DESERT DUO DIVORCE ARC IS OVER? OMG DESERT DUO DIVORCE ARC IS BACK ON. Bad boys finally kill scott, shinyduo situtionship (going insane over them- i can't wait for more of them), tango and bdubz as angry wives and of course: The family.

Gem and Joel's alliance was the most stable alliance in the season. We made jokes about the 4Gs as they became the 5,6-7 Gs. They never knew who they truly could trust. Mumbo and skizz' paranoia might of been a joke but grian's curse did wipe them out in the end, martynn has forever ruined any trust in future alliances after limited life (especially given how he planned to betray ren in third life...) so i did not have any faith in treebark lasting. I don't need to explain tuff boys, etho was cheating on them to their faces and bamboozlers came close but any bamboozler fan will tell you how anxious they were that something would ruin a group. Look at Timmy on the high that he could finally win and break the curse, always running off carelessly. Scar, who was so desperate to win grian's favour that he was spilt between him and bamboozlers. Lizzie, who wanted to do anything but die alone but multiple times in the series, could not find her boys.

But gem and joel were always there for each other, their trust and love in the each other displayed for the whole server to see in the centre of the map (the most dangerous part). Not only did it help each other, they solidified so many other alliances that were shaky for so long (adopting grian when he's alone coz no one deserves to be alone, giving the Gs a common enemy to unite against, "we are bamily"). This perfectly encapsulates the fast and furious thematic core, we have no idea what' going on but we'll make our last stand together.

Very long-winded post, might come back later to fix it (i haven't had the chance to explore joel specifically and what this victory means for him) but even though it ruins the celestial aesthetic, the car for joel is so perfect. If u need it all celestial, the shooting star works pretty well in adjacent but it's so perfect for the wildest, most scuffed season to ruin the aesthetic of the life series BUT STILL BE THEMATICALLY COHERENT.

I have my complaints for this season and it did take me a while to decide how i wanted to approach the narrative of this season. Genuinely the more i think about it, the more i love the season.

[cozage]

Hello! First of all, I love your writing and your content. Can I ask for HC on Law saying to their romantic interest something like: "If you don't like how we run things here, then leave" after a heated discussion which actually makes them leave the crew, and after Law goes to great extents to amend that, Angst to comfort.

e

A/N: Hi friend! This was a fun prompt and ive been working on it for a while! Thanks for your patience! (It’s not completely proofread, so I apologize for any mistakes. I may go back and edit it better later, but i wanted to get this out for you and everyone today!)

Characters: Law x gn reader

Word Count: 2.2k

Leaving

“If you don’t like how I run things, then leave,” Law spat out, turning back to the papers at his desk. “I don’t have time for you questioning my decisions.”

You stood there for a moment, dumbfounded at his words and their harshness. 

“Law-” you start.

“Leave!” He snapped, not even looking up from his work.

You turned on your heel and rushed out the door, covering your face to hide your tears. You ran to the Captain’s Quarters and threw the few belongings you had into a duffel bag, slung it over your shoulder, and left the room. You didn’t want to say goodbye to your crewmates or this life, but you had heard Law’s message loud and clear. Leave. You were no longer welcome here. 

You passed by the kitchen and hang out area, and you popped your tear-stained face in the room, trying your best to act casual. 

“Uhm-” you started to speak, but the moment that eyes turned, you burst out into tears again. 

“I came to say goodbye,” you sobbed as Shachi and Penguin rushed to you. 

“What happened?” the two of them demanded, holding you in a tight hug. 

“I was told to leave, so-” you hiccuped into Shachi’s shoulder, and pulled away from the two men. “I just didn’t want to leave without-”

“You’re not leaving,” Penguin said, looking past you to the hallway. 

“I am,” you replied, wiping your tears off your face, trying to compose yourself. “I have to.”

“You can’t!” Shachi cried, tears springing from his own eyes.

“I’m sorry,” you said, tears welling up again. You loved these people. They were your family. They were all you knew for the past few years. 

But you couldn’t live like this with Law anymore. This constant back and forth, his refusal to commit to you and his mood switches between fiery hot passion and icy cold shoulders. The way he would coo promises in your ear while you laid pressed against his chest one moment, just for him to spend the whole day without acknowledging your existence. You were going insane, and you simply couldn’t handle it anymore. 

“I love you guys,” you said, pulling away from them and heading for the door. “I’ll call when I get situated, okay?”

“Situated where?” Penguin asked. “Just stay, we’ll get the captain to reverse his decision. Please-”

“No,” you said, with painful finality. “He made his decision, Penguin. I have to go.”

And with that you climbed up the ladder and walked out the door. You jumped off the deck and onto the dock of a foreign island you knew nothing about, trying to think of your next move. You desperately wanted to look back one last time, in hopes that Law would be there, watching you go. But you resisted the urge to turn around, and you walked boldly into the village to find a new adventure, hoping the hole in your heart would heal with time. 

--

The sounds of shoes running down the hallway alerted Law that something was wrong. Then several bangs on the door. 

“Captain!!!” several voices called out, and Law quickly opened the door.

“What?” he asked, looking at their panicked faces. “What is it?”

“What did you do to Y/N?!” Shachi demanded, tears in his eyes. 

Law’s eye twitched and he grinded his teeth. “What happened is none of your business!” he shouted, slamming the door in their face. 

“Captain!!” they all cried. “Please change your mind!”

“Room,” Law said, creating a blue bubble that only encapsulated himself. “Silence,” he said, cutting off sound to the outside world. One of the many tools he had taken from Corazon. 

Law wasn’t sure how long the crew continued to bang and yell at his door, but he didn’t really care. The issue between you and him should be solved between the two of you, the rest of the crew didn’t need to be involved. 

By the time he went to bed, the crew had thankfully dispersed. He was irritated with you causing such a scene amongst your crewmates, but he would talk to you about it later. He walked to his room, and was surprised to find that the light was off. Normally you went to bed far before him, but you always left some kind of light on for him to find his way to the bed with you. He was even more surprised to find the bed completely empty and cold. There was no trace of you or your belongings in his room. 

“Y/N is gone,” said a broken voice from behind him. Bepo. 

Law turned to face the bear, confused by his statement. 

“Y/N said you told them to leave. So they left,” Bepo explained. 

“No-” Law said, looking around. “I didn’t mean to leave the ship. I just meant-”

“You always do this, captain. You always push people away when they only want to love you.”

“I don’t need a lecture, Bepo,” Law hissed. He was starting to panic now, he couldn’t lose you. You were one of the few people he trusted and let get close to him, he…

“Go. Y/N is on the island somewhere. Make it right.” 

Law could hear Bepo’s voice getting thick with tears. He knew the bear was trying to be brave, but he didn’t care at the moment. He took off down the maze of hallways and climbed up the ladder to the deck. He scanned the shoreline, looking for your frame. He prayed that it would just be a simple outburst you were throwing, a show of defiance you were putting on until he came and apologized and made it right. But you were nowhere to be found. 

He jumped off the deck and onto the dock, racing towards town. He was racking his brain on where you would have gone. You had no family or friends here. What were you thinking, going off alone with no support system? Was your plan just to abandon him and leave him alone again? The thought of never seeing you again made him sick to his stomach. 

He couldn’t lose you. Not after all you all had been through. It wasn’t fair. He was angry at you and at the world, but he was mostly angry at himself. He had been selfish, and he had put himself in this position because of it. He had to amend that. He had to make it right. 

He finally found you, sitting alone at a ramen shop. He stood in the crowded street and watched you for a moment, admiring the way you looked under the soft glow of the shop lights. 

You looked tired, but you were as beautiful as ever. You were talking quietly to the man next to you; he must’ve said something to make you laugh, because your eyes lit up and your voice rang out. Law couldn’t help but feel a pang of jealousy at seeing some stranger bring you joy, and he resisted the urge to run to you. 

“Do you come here often?” Law heard the man ask you. “I wouldn’t mind doing this again.”

Law saw you hesitate for a moment, weighing your options. “I actually just got here,” you finally said.

“Oh?” the man questioned, looking around. “Need a place to stay while you get settled in?”

Law’s blood boiled. He knew what the man was implying, and he needed to put an end to it. He started toward you, but before he could make it, you spoke. 

“That’s kind of you,” you started, your eyes darting around the restaurant nervously. “But I have a place at the moment.”

“I see,” said the man, looking a little dejected. “Well, I had fun tonight, and I hope to see you again.” 

You smiled politely and nodded at the man. “I did as well. I’ll see you around!” Your voice held enthusiasm that made Law’s heart pang, and he made a decision. 

He waited for the man to leave, and then quickly took the seat next to you. 

You were staring at your ramen, and didn’t bother to look at the man who had taken Jiato’s seat. One conversation with a stranger was enough for you today. You just wanted to curl up and go back to your hotel room and cry yourself to sleep.

“One pork ramen bowl, please,” a familiar voice said to the waiter. 

Your head whipped to the side to find your captain. Ex-captain, you reminded yourself. 

Law didn’t meet your eyes. He just kept staring ahead of him. “Do you actually want to leave?” he asked. 

You swallowed down the lump forming in your throat as you stared at him. You hadn’t expected to see him of all people. 

You stayed quiet for a while, and finally he turned and looked at you. You cut your eyes away quickly, opting to look at your empty ramen bowl instead.  

“Y/N-ya,” he prompted, waiting for an answer. 

“I can’t keep living like that,” you finally said. 

Law shot you an irritated glance and opened his mouth as if he were about to say something, but decided against it. 

“You can say it.” You spoke softly, your words almost drowned out in the noisy restaurant. 

He hesitated, but found the right words after a moment. “You didn’t have to leave.”

“You told me to.”

He scoffed. “I didn’t mean literally.”

“Yeah, well, maybe I did take it literally,” you shot back, trying to keep your face and your tone calm. You had just gotten out of a fight with him earlier today, you didn’t need another one flaring up again. And so publicly. “I told you, Law. I’m tired of this back and forth. So when you said leave, I just…there didn’t seem like another option for me.”

He gritted his teeth, as if he were holding back another argument to throw at you. “Well,  you didn’t have to leave. I-”

You stared at him, waiting for the words to come. But they didn’t. His cheeks pinked and his eyes averted your gaze. 

“What?” you asked, continuing to watch him. “You what?”

His pork ramen arrived, and he turned his attention to his food instead. You knew what he was doing. He was trying to get you to come back to the ship without ever actually apologizing. Or having anything change. But you were serious when you said you couldn’t live like that any more. You’d rather start a new, fresh life than keep going in this vicious cycle. 

You grabbed your bag and dropped some money on the table. “Goodbye, Law,” you said, turning away so he couldn’t see the tears in your eyes. 

“Stop,” he whispered. But you were already out on the street, out of earshot. 

“Hey!” he jumped up, chasing you out onto the street. 

He found you quickly and reached out, grabbing your arm. You turned around, shocked at the sudden pressure on your wrist. 

“Law! Sto-” He cut off your words with a kiss. Or he tried to, but as your lips met his, you pulled away. 

“What are you doing?!” you demanded. “Stop!”

Your loud voice drew several people’s gaze, everyone stopping to make sure you were okay. You could hear people murmuring around you and feel their stares. 

Law dropped your hand, giving you a confused and annoyed glare. “I’m trying to- Do you mind?!” he shouted at everyone watching you all. 

He looked back at you, his voice softer again. “I’m sorry, okay? I was stupid and selfish. Please come back to the ship. Please stay. Please don’t ever leave my side again.”

You chewed on your lip. “Law-”

“I’ll never ignore you or put you second again. I can’t lose you. You’re the closest thing to family I still have and-” his voice broke, and you could see tears in his eyes. “I love you, okay?”

You blinked in shock. You were certainly not expecting that kind of confession to come from him. You weren’t sure whether you wanted to cry or hug him. 

Law made the decision for you, and wrapped you in his arms. You could feel him peppering the top of your head with kisses, and you began to cry into his chest. 

“Don’t cry. I’m here. I’m not going anywhere,” he murmured in your ear, and you pulled away to wipe the tears from your face. 

“Lets go get your stuff and get back to the ship,” he offered, entwining his fingers with yours. 

You nodded, squeezing his hand. You felt more hopeful about the future than you had in a long time. A new chapter of your life truly had begun. 

[randomness-is-my-order]

the pjo show’s cinematography is so warm and homey and clever and detail-oriented so i wanna compile a few of my favourite still shots because why not??

^this one had me smiling so hard, not because it’s a particularly beautiful shot but the framing of the three is so well done. the focus is on sally who is talking to grover (both prominently in the front of the shot) while percy – who isn’t a part of the conversation but a listener of it – is still properly visible through the glass of the door and like??? i just think it’s a super cool way of having a passive character in the shot that i haven’t ever seen before, in a way that percy is both highlighted and still so clearly in the background that it doesn’t take away from the focus characters. also percy’s sweater matching the colours on the door is the cherry on top!!

^next is this one. it’s so perfectly angsty and though not complete, the symmetry is still eye-catching. it encapsulates the feeling percy must experience in that moment–him, amidst destruction, knowing he’s the cause but not knowing how or why. he looks all of twelve with his haphazard hoodie and almost forlorn look. he is not gloating, he is not cheerful. though he doesn’t know the gravity of his parentage, it’s almost like the show is telling us that his powers–which cause the door to break, too btw–will always be a source of isolation for percy. he is a force of nature, a destructive one most of the time, and the fact that he is just a child who is confused will never matter because this world doesn’t care for childhood but godhood alone.

idk, this shot just evokes a very unsettling kind of sadness for me. i think it’s beautifully framed.

^i absolutely love this one simply for the fact that the sheer struggle of the fight is so prominently visible. and yes, i cheated, this isn’t exactly a still shot but like an action sequence screenshot but whatever, it’s too good to not mention it here. the way percy is, honest to gods, bracing against the spear for his dear life, the evident and overwhelming rage on clarisse’s face, the blocking of the scene – it’s perfect. clarisse is not playing and percy is genuinely in danger and i love how this shot and the whole scene really sold us on that fact.

^ i just think it’s extremely cool that we can see the minotaur howling in pain, percy having his mouth wide open as if he’s letting out a yell as he goes to plunge the horn and that as percy does this act–killing the minotaur–which is surefire source of safeguarding himself and grover, something that will get him to camp, we can see thalia’s tree in the background. there is no reason percy had to make the kill here, with the chaos of the fight, so the fact that this is the spot and this is the shot as he kills the minotaur makes me think it’s deliberate. having thalia in the background is so impactful because again, percy could have met a similar fate in some other alternate universe but here, he wins and he survives.

^ do i even need to explain??? the shot is pretty and beautiful and almost magical. percy, alone with a tin of fire, burning blue food and talking to his mother. maybe one thing i can point out is that the sally-percy bond has been heavily indicated through glowing lights since the start. if you recall, the “you are not broken” speech by sally was given in front of the warm, glowing headlights of the car and percy’s face was illuminated by that warmth just the same way it is illuminated by the tin-fire in the forest.

^ first, this is too fucking gorgeous. second, percy is wearing his red jacket again and this dream happened after he reached camp so in my opinion, this dream was initially a comfortable imagining of percy’s mind and was then hijacked by kronos but i could be wrong since i don’t clearly remember how they manifested in the books originally. nevertheless, it’s a great detail to have him wear the red jacket because even if he may not have it with him anymore, it’s still clearly something he holds dear – and might associate sally’s memories with.

also, the fact that percy seems to have alot of scenes with fire might be because as someone who can control water, fire can never truly be a source of danger for him and therefore, he can find comfort in its warmth unhindered, always?

^ how could i not love this epic moment? the trident is perfect, big and blue and grand and majestic. half the screen is water, obviously. but what makes this good shot a great one is that there is literally no one else directly near percy except annabeth. the campers are all far away and in this shot itself only annabeth remains close to percy, though she is fittingly on the land, observing the scene before her. remember how i said percy’s legacy promises isolation but this shot tells me that despite that, percy will have someone who he can count on to be by his side (also cool that even in the bathroom, annabeth was technically still near him, even if she was, well, stalking him) and maybe this is my delusional ass talking, but annabeth being here is foreshadowing for me. i just think it’s a choice to have this epic revelation where they could easily have had percy standing alone in the middle of the lake but no, annabeth is also there and not only because she’s the one who led to that revelation but because she’s someone who isn’t intimidated by percy’s parentage and still can be beside him.

^ i adore this shot because 1) it shows us just how young and tiny percy is and 2) it tells us that maybe that door is so fucking huge because it’s being inclusive of centaurs and other giants of their world. also, symmetry strikes again!!! the colours are so well balanced, not bright and vibrant but on the pastel side that indicates an aged feel to them.

and lastly,

^ i just find it funny that a private academy like yancy has an official vehicle that looks as beat up and terribly malfunctioning as this. 😭 like this half van was so out of place i literally goggled at the screen when it first appeared.

okay, i’m done for now. i also really liked the faceless sally scene in the start paralleling medusa’s eventual beheading but i already made a post about it. this legitmately only covers about 10% of the shots i wanted to talk about but these might be my favourites. this was long af so if you read the whole thing, mad respect to you.

[flanaganfilm]

I heard "Wind Through the Keyhole" is your favorite Dark Tower novel. What makes it your favorite? It's my second favorite, after Wizard and Glass, and I was surprised most other fans didn't like it as much as I did. Although I did read in right after Wizard and Glass since I start reading after everything was released, maybe it would be a different experience coming to it after finishing everything else.

There's something about The Wind Through the Keyhole that just breaks me. I adore all the books, of course, and of the big seven, Wizard and Glass is also my favorite. But Keyhole is a fascinating coda, a beautiful reunion, and a devastating goodbye.

Because it came out after the others, there is a sense of homecoming that kicks in right away, as you find yourself reunited with these characters you love so much, who have yet to find their fates. The ka-tet is unbroken. It is that rare, beautiful, impossible thing that we all yearn for - a chance to be with those we've lost again, and to see them as we prefer to remember them. I started crying in the first chapter.

The story itself feels like a lullaby, a beautiful little epilogue that ties together all of the themes of the other books and distills them into their most pure, potent form. There are lines of dialogue and prose in this that pierce me, and encapsulate even the most elusive emotions from the journey of The Dark Tower. Here are just a few passages that tattooed themselves on my heart while reading:

--

“What if I fall?', Tim cried.

Maerlyn laughed. 'Sooner or later, we all do.”

--

“It was not fair, it was not fair, it was not fair. So cried his child's heart, and then his child's heart died a little. For that is also the way of the world.”

--

“Time is a keyhole, he thought as he looked up at the stars. Yes, I think so. We sometimes bend and peer through it. And the wind we feel on our cheeks when we do - the wind that blows through the keyhole - is the breath of all the living universe.” --

“In the end, the wind takes everything, doesn't it? And why not? Why other? If the sweetness of our lives did not depart, there would be no sweetness at all.”

-- And finally, my favorite quote from the book:

“The two most beautiful words in any language are: I forgive.” That's the thing about this book - it is full of forgiveness, and empathy, and looks back at the road behind us with older, wiser eyes. It deepens and somehow completes Roland, Eddie, Susannah, and Jake. The Dark Tower (book 7) gives us final mental images of them, and even admonishes us to "remember them well, like this," but I find myself remembering them in Keyhole more than anything, sitting at the fire, lost in a story. The final moments as they walk on, wading back into the raging river of the story I know so well and toward their inevitable fates, gives me a sense of loss, of love, and of things being right. Ka is a wheel, and I feel it turn twice in the series. At the very end of Book 7, for sure, but also here - I feel the wheel turn in Wind Through the Keyhole in a profound way, and find myself moved as I huddle with these characters on one small spoke of that wheel, reveling in the kind of stolen reunion we only dream of in life.

It's a thoughtful, mature, beautiful look back, and for me it somehow ties the whole enterprise together in a way I could never have expected. The Dark Tower isn't complete without this book, and in a lot of ways, this book reveals the soul of the journey more clearly than the others. Just speaking for myself, of course, and I imagine mileage may vary. But this one brings a smile to my face and a tear to my eye, maybe because it carries all the other books with it.

[raven-at-the-writing-desk]

I always repeat it but I truly love the way you write Leona ☹️ you portray not only his personality but also his inner thoughts and how he processes information around him so well... I love all your writings but specially your Leona related works (sorry for being very much biased)

I hold your Leona interpretation so close to my heart 🤲💛 I often see a lot of mischaracterization (and I kind of get it- he's hard to decipher sometimes), so seeing such a good portrayal that I feel encapsulates his whole being is so important to me ☹���☹️

[Not sure if this is feedback in response to a particular writing piece I did, but just in case, this Leona interaction was the most recent one before receiving this ask.]

cbjddbwkkeoqhd Thank you!! I try to do the same thing Yana did when first conceptualizing the Twst characters… I try to put myself in their shoes and wonder what it must be like to be them in a given situation. The example Yana provided in one interview was something along the lines of, The poison apple didn’t want to be poisonous, but the Evil Queen forced it to. How did that make the apple feel? I want to think about not only how someone would speak, but also about their body language, their thoughts, their emotions, previous interactions in similar scenarios, their life experiences, their goals, their strengths and their flaws, how those can color their perception of others and the world--everything that makes up a character! I also aim to make my dialogue distinguishable, even if there's no name attached to it. If you can swap out several other character's names and the dialogue still works, then the intended character's voice isn't coming through strong enough and I rewrite it from scratch. If I write "You've earned my brother's respect," that's not good enough for me. It has to be “Oh, would you look at that. You’ve gone and earned my dear onii-sama’s respect and admiration. How good for you," to properly convey Leona's sarcasm and haughtiness.

The Twst characters are all very complex and multifaceted (particularly those we're given the most detailed backstories about *stares at the OB boys*), and there's also tons of content to comb through between the all the characters, main story, vignettes, events, and additional materials (interviews, art books, mangas, light novel, etc.). As a result, it can be easy to overlook elements of a particular character or to simplify/condense characters--either making them the extreme of being too cruel or the other extreme of being too kind--to make them easier to write. It takes time to nail that characterization, so I encourage my fellow writers to keep trying ^^

To speak a little more about writing Leona! It's honestly hard because you have to balance his arrogance with his lack of motivation and his depression-like beliefs about himself without whiplashing between those components. He's also very intelligent, and those kinds of characters can be difficult to do, especially for inexperienced writers. Leona works in subtle ways to get what he wants, and you have to find a way to communicate that between himself and the reader, but not give away what he's scheming to the other characters involved, who are not in his headspace. Then, of course, there's that whole ongoing debate about whether Leona would treat women significantly "better" than men (which is a topic worthy of a whole separate discussion post; I won't get into that here since it would elongate this post by a ton)... There's several things to consider when writing him. If you enjoy my interpretation of Leona, then that makes me happy ^^ I genuinely do put forth a lot of effort to capture the characters in my writing, so it's nice when those efforts are recognized.

[theivorybilledwoodpecker]

So, when I asked Benjamin Walker how his character was feeling, before I could even get the question out during our Rings of Power interviews for CinemaBlend, he told me this about Elrond and Galadriel: Right, well, they’re talking, they’re bickering like children. They sure were, and after Gil-galad learned about why this was happening, he exclaimed an Elvish word that clearly communicated his frustration. To that end, between the two elves fighting and Elrond ultimately jumping off a waterfall with the rings, Walker told me that there’s a great “Elvish swear” that encapsulates his character’s feelings in that moment: One of my favorite parts of Gil-galad, and a nice little nugget that I feel like sums up his character at this point, is the Elvish word ‘grach,’ which is an Elvish swear that means ‘crap’ or ‘come on!’ I think he's about as frustrated as we've seen him at this point, kind of like a parent of like. Like ‘Why I otta…’ So I think he's frustrated. According to Sindarin - The Noble Tongue, “grach” means “of the curse,” and in a debate about the term on Reddit, many noted that it could translate to “danger.” In both cases, the word fits Gil-galad’s mood perfectly. It truly is a great word to describe this scene as a whole. I mean, it literally opened with Elrond and Galadriel chasing each other on horseback and yelling over who gets to hold the rings. At one point, Gil-galad even had to tell them both to just be quiet. While their arguments were valid, Gil-galad understandably felt like he had to act like a parent at the moment, as Walker explained: In terms of shooting on that day, they're both such great actors. And it was exhilarating to kind of have to step in between them and say, ‘Go to your room! Now, you go to your room, not off the waterfall! I meant…Ah, grach!’ That it was, I mean, it was exhilarating.

We were robbed of Gil-galad telling Elrond to go to his room!

Gil-galad: Go to your room!

Elrond: You can't tell me what to do! You're not my real dad! (Jumps of waterfall)

[sarasade]

It's been pretty interesting to follow the

"Why Didn't Viren Get Redeemed vs Viren Got What Was Coming To Him"

discussion after The Dragon Prince's 6th season got released.

Hot Take

I think Viren got redeemed.

Because to me Viren humbling himself and acknowledging the hurt he has caused was redeeming. His conversation with Soren was the main event. His rather heroic death was only the cherry on top of the character development cake that has been baking since s4.

I think Viren dying wasn't as significant as what he did before that and how he tried to provide Soren with some kind of comfort and closure, you know, as a parent should, before going. Viren's redemption wasn't just him dying for Katolis but acknowledging his wrongdoings and trying to salvage what he could.

That was pretty redeeming for me at least. Viren did the right thing even when he knew there wouldn't be any reward for it. Even if he couldn't stop Aaravos from destroying Katolis or manipulating Claudia even after his death. Like, man, I kinda feel for the guy.

I think it has always pretty easy to feel sympathy for Viren. Viren wants to matter and wants to be important. However, his grandiosity, as psychologists would call it, keeps him from creating genuine connections with others. His friends, wife and children are only there to prop up his ego or get rejected if they fail to live up to his expectations. It's also pretty damn tragic that Viren opens up about his deep insecurities to Aaravos of all people. Someone who was the most likely person in the world to exploit these insecurities for his own gain.

Viren had to taste his own medicide but I don't think TDP says that's an objectively good thing per se or that we should enjoy this sort of revenge fantasy uncritically. Viren is still portrayed rather sympathetically and of course there is the part about his actions affecting others and the world in unpredictable ways. It's still a tragedy because Viren's actions and personal problems have caused so much collateral damage. The Why behind Aaravos exploiting Viren and Claudia is part of that tragedy, too. There are no winners here. In a way Viren is a victim of his own narcissistic tendencies, too.

This isn't just about the final episodes of Viren's arc. To me it's essential to ask What was Viren's biggest sin he should be redeemed or punished for? Depending on your answer you may have a relatively different reading of s6 story development compared to mine.

To me it's not a specific action he took but his whole worldview. Viren is a fictional character (duh!) so his story isn't exactly literal but metaphorical, a representation of certain values and morals real people and society holds. In s3 TDP draws a pretty straightforward, though brief, comparison between Viren and reactionary right-wing ideologues. It's not exactly subtle.

It's just one way TDP goes to show how toxic and abusive Viren's core values are. that gets reflected both in Viren's personal life aka how he treated Lissa, Soren and even Harrow and Claudia (last two more indirectly). Since he also had a ton of political power as a high mage and briefly as a king we see what he did with that power. It's a pretty clear take on people who dehumanise others, fetishise power and see all living things as something to exploit. TDP explores that both philosophically and psychologically through Viren. Dark magic encapsulates this philosophy well since using magical creatures like tools or objects is essential for it to work.

Also also- I don't really get why people see redemption or atonement as something black and white. It's not bad or anything but Redeeming Yourself For Your Sins is a very Christian concept and Christianity isn't the only way to understand villain story arcs. Like I wish there could be more discussion about WHY redemption is the main analytical framework we impose on villains when villainous characters have a ton of variety anyway.

I don't really have anything to complain about Viren's death itself and I'm not surprised that he ended up dying (for real this time). Aaravos seemed like someone who'd turn against Viren the moment he stopped being useful to him so Viren's life has been hanging by a thread since s4. Viren was the best part of TDP and every scene he's been in had been a delight, well expect the s5 dream sequence because it was too long-winded and obvious, anyway, I'm sorry to see him go and I look forward writing AU fix-it fics where he and Aaravos are married and run a hot brown morning potion shop with all their four totally not dead children. RIP Viren. You lived like a messy bitch and died like a messy bitch. Iconic.

[old-people-like-avatar]

Netflix Avatar the Last Airbender S1 - Overall Thoughts [SPOILERS]

I am a longtime fan of Avatar the Last Airbender. I did not watch it in its original 2005 run, but I discovered it in around 2010 after my good friend R.S. recommended it to me. It's been my #1 favorite TV show ever since and I have rewatched it more times than I can count. I was cautiously optimistic about NATLA.

Now, having watched the whole first season of NATLA, and looking at the season as a whole, I think the best word to describe it is uneven. I can't say that I loved it, and I can't say that I hated it. But there were things I really liked about it and things that really did not work for me. Overall, I enjoyed watching it -- if only to dissect what did and did not work about the adaptation -- and would want to watch more.

WHAT WORKED

Everything to do with Zuko and Iroh. I found myself going back through just to rewatch all of the Zuko and Iroh-related scenes. I thought Dallas Liu really nailed Zuko -- from tantrums about his journal being stolen to incredible action sequences to the boyish vulnerability of worrying about the laces on his gauntlets. He took an iconic character and made him his own. NATLA added some incredible scenes and lines to my favorite duo: Lu Ten's funeral (coupled with orchestral version of "Leaves from the Vine"); Zuko's first war council; Iroh choosing to go with Zuko on the boat; the 41st Division; Iroh putting a blanket on Zuko. And I liked that NATLA emphasized that Iroh needed Zuko in the wake of Lu Ten's death as much as Zuko needed Iroh after his mother left.

Daniel Dae Kim's interpretation of Ozai. Ozai in ATLA is kind of one-dimensional. Daniel Dae Kim's Ozai adds a deeper layer to him in that he genuinely seems to think he's doing legitimate parenting -- even going so far as to visit Zuko after burning his face and remarking, glibly, that he'll recover ("but he'll never heal," says Iroh). It adds an even more monstrous angle to his cruelty because Kim's Ozai seems to think he's doing it for his children's own good. This post perfectly encapsulates my feelings about why I thought the agni kai between Ozai and Zuko was an excellent addition to NATLA.

Zuko/Aang. These two bonding over goat hair brushes was the scene I never knew I needed. The way Aang managed to wrest a little smile out of Zuko in that scene before Zuko blew up at him for criticizing the Fire Lord? And the way that tied into the "Compassion is a sign of weakness" scene from the agni kai? Great character work.

WHAT DID NOT WORK

Dialogue. I already observed at length my dissatisfaction with the clunky, exposition-dumping dialogue in my episode-by-episode writeups. It certainly wasn't as bad as the Movie-That-Shall-Not-Be-Named, but . . . there was no art or subtlety to it, and no trust in the audience. A disappointment.

The GAang did not feel like family. The lack of breathing room in the 8-episode season meant that all of the "filler" episodes that fleshed out the relationships between Aang, Katara, and Sokka were sacrificed. I am not saying NATLA needed to recapture each of the filler episodes. But they needed to build the foundational bonds between the main trio with showing not telling and they really didn't. They separated them for big chunks of 2 episodes. And, really, they just felt like traveling companions. That took all of the emotional heft out of, well, everything related to Aang, Katara, and Sokka. I mean, frankly, the kid actors did a better job establishing the "family" dynamic just by being themselves in their press interviews than the show did with the characters.

Aang did not run away from responsibility. I am not one of those people that's just mad that the show wasn't exactly like the cartoon. No. What I mean is, even putting aside the cartoon, even if you just look at NATLA itself: their own themes were undercut by never showing Aang actually running away from responsibility. Each avatar seemed to be berating Aang for doing something he was never actually shown to be doing.

Katara. I really don't think this one is on the actress. Katara felt like a fundamentally different character from ATLA's Katara. It's not to say an adaption is not allowed to have their own interpretation of a character, but... I just did not understand NATLA Katara. There was no passion, no rage, no overbearing nurturing. She was... I don't know what she was. Traumatized, yes, but nothing grew out of that trauma? Meek, until the plot demanded that she suddenly become a waterbending master without any guidance other than a waterbending scroll? The "younger sister"? More than any of the main characters, I'm not sure what NATLA was trying to say about Katara at all. And, as a result, I'm afraid the word to describe it might be uninteresting. And given that she is the heart and soul of Team Avatar, this one was really tough.

Despite the fact that a lot of NATLA did not work for me, I still enjoyed it because the things that did work for me, well, really worked. So. I'm here for all of the Zuko/Iroh scenes!

[wisecrackingeric-2]

LONG ASS MESSAGE UNDER CUT!!!!!!!!!!!! ITS A MASSIVE THANK YOU TO EVERYONE!!! I’ll tag everyone whose made a star for this drawing in the replies- if I’ve missed anyone or if you wanna be added, PLEASE LET KNOW!!!!!!!

At the time of writing this, there’s about 40 minutes let of 2023, and I’m VERY DETERMINED to get this posted before 2024 so I am in a bit of a rush so alas, this may not be as well-written as I’d like it to be but that’s the price I must pay alas HDNEHENEJDN

I wanna start this by saying I’ve always had a lot of anxieties surrounding the New Years, and things changing- even just seeing posts that were from the year prior always seems to give me anxiety. Things change, people move on, while I stay with the same interests- it’s always been something I’ve struggled with, but making this has helped me come to terms with all of that and I’m glad.

Theres no better words I can say right now other than; Thank You. Thank you so, so, SO much to my friends, both new and old- my friends who’ve been here since the very beginning and have stuck by me through this whole rollercoaster- and to all of my new friends, who it sometimes feels like I’ve known you all for at LEAST five years and not like, five months or something HDBWHNWUDNDHDJS thank you to everyone who has ever been kind to me, supported me and enjoyed what I’ve created- I’ve recieved probably the kindest words I’ve ever heard in my entire life this year. Thank you to the people who stuck by me when times got tough and helped me through my own seemingly very insignificant or silly problems HDNEJENSK

This year has easily been one of the best years of my life. 2022, to keep it short, was awful- I came out as a Transgender gay man to my parents and it went awful. I was dealing with the worst mental health of my entire life and there were times it felt like there was no hope. On top of all of that, my childhood dog passed away- so all and all, I wasn’t looking forward to the future. But my loving partner introduced me to Resident Evil, and as a result the community as a whole- and to say it changed my life would be an understatement.

I know it’s obviously no secret that I have a favourite character, Luis Serra Navarro- but to say his character has changed me as a person for the better would also be a MASSIVE understatement. I’ve never ever in my entire life resonated with a character so profoundly before- as a queer and trans man, I saw myself reflected in his performance, and that means more to me than words can even describe. His character encapsulated me in a way no other has done before, and genuinely helped me accept my autism, my queerness and my trans identity as a good thing- I could write absolutely ESSAYS on his character and I have. I’ve consumed more Don Quixote media than I think I ever would have otherwise HDNEHENEJD and to say I’ve genuinely become a more confident and happier person because of his character would, again, be SUCH an understatement. It’s truly hard to describe how much he means to me, but I hope my words give a good idea.

For the first time in a very, very long time, I get to look forward to my future. I don’t see my Queerness or my Trans identity as a setback anymore; I have things to look forward to, plans I’ve made and a future I can look towards. And I cannot thank my friends- all of you know who you are- André and Andrea and everyone in my life and this small little community I’ve unintentionally formed for giving me that opportunity. Words will never be able to describe how grateful I truly am, but I hope this is close enough.

Thank you for letting me fully indulge in my autism and enjoy Luis’ character to the fullest. I’ve never felt happier enjoying something in my entire life.

Thank you everyone. For everything. May you all successfully defeat your own windmills <3

[undeadmagick]

How my Deities Appear to Me ♡

One of my very first posts was talking about how surreal it was to see my deities (or how they present themselves to me). You can find it here. So I decided to make a whole post to show what they look like to me with descriptions and some images to kinda explain what I mean. :)

Note: I haven’t meditated with Lucifer before so his appearance isn’t clear to me. Also Apollo had a blurred/unclear face to me when we met so in this post, I’ll be talking about my other deities. If this is an interesting post, I might make a pt. 2 with Apollo even though his face is somewhat unclear to me.

Extra Note: Again, these are how they appear to ME. Obviously, deities present themselves as they think is most identifiable/comfortable to each individual. :)

Deities Featured: Hades, Freyja, Jörmungandr

Hades

Hades has always been the most clear to me. I don’t know if it was because I hold onto the memory so tightly or if it’s because I feel the most connected to him. But for Hades, he presents himself as an older man (late 50s). Many lines on his face with incredibly strong features like a prominent nose. Characters like Snape or Death from Supernatural have that side profile that is similar to how he presents himself to me. Although, Death has the most accurate face to me since Hades has that prominent bump in his nose, sunken in cheeks and thin lips. He has long, sleek black hair and usually wears a black version of Ancient Greek robes that hang off of one shoulder. He also holds his bident, using it almost like a walking stick as he walks. Incredibly tall (Although that’s a feature for most of my deities. For some reason, they all appear to be like 9ft tall.)

Freyja

Freyja also appears to me as an older woman. She has lines on her face like a woman in her older 40-50s. She always keeps a stoic look on her face, cold eyes but warm demeanor in a way. Lagertha from Vikings has a similar vibe to Freyja in having an intimidating and fierce aura but I would say Michelle Pfeiffer when playing Janet van Dyne has a more accurate appearance. Michelle has those high cheeks with lines coming from her nose downward as well as a square-ish face that Freyja has. A mature, motherly appearance while having a femininity to her which perfectly encapsulates Freyja being the goddess of love & beauty but also goddess of war. Freyja also has long ash blonde hair with some small braids in it. Most notably, she wears furs over her shoulders and golden metal jewelry. Much like Hades, she is incredibly tall, towering over me.

Jörmungandr

Ohh, my only non-human deity, lol. Bit more complicated to explain but I’ll try my best. So, obviously, he doesn’t appear as large as he’s described in mythology (or else I’d be 10x smaller than his pupils). He is similar in size to his model in the GOW game, large enough to dwarf you but small enough to fit into a deep lake/ocean. Different to that game, his scales are a deep blue/black in color. But similar to that game is that his appearance is a mix of a snake and more draconic features. His head isn’t as flat as a snake’s but is more pronounced with spikes amongst his scales like a dragon would have. His nostrils aren’t as high up like the game but instead the usual snake placement of being lower and to the front. His eyes are golden sometimes but not incredibly bright. While he is incredibly intimidating, both in attitude and size—causing my heart to race, meditation sessions tend to me calm. (Funny how looking for images that resemble him are more heartracing/anxiety inducing than actually seeing him lol. He has chill vibes.) Since he doesn’t speak physically, it tends to be quiet with just the sounds of the waves of the ocean. Only his head and some of his body appears out of the water. I’ve never seen his entire being.

[alicedrawslesmis]

I know I just said I didn't want to just be complaining about everything so I'll try to word this in a more constructive way asdfghjkl

It's hard to be an Eponine fan in a world where the musical -and On My Own specifically- is sooooo mainstream. Because imo as much as On My Own itself is kind of a half-decent, if simplified, encapsulation of Eponine's struggle with her love for Marius if you analise the lyrics in isolation, the musical as a whole, her role in the narrative as the unrequited love diva (I'm also simplifying here. I don't think this is super fair to the anglo musical, but compared to the book there's no question of how they reworked her into a glamorous 80s diva contralto because musical theatre has usually very strict gender roles), did her so dirty. So dirty. And imo often her character is reduced to her pining in fandom as a result. And I don't like that, personally.

I love that girl so much. I love that she is just young enough to still be a child but adult enough to be aware of her social role. She has one foot in the gamin life and one foot in the adult world. I love the tragedy that is the fact that she likes the beauty and pomp of high society girls and wish she could have silk shoes but knowing she can't.

And also being super resigned to her class despite it, she doesn't believe she ever will have any of that. She resents that too, somewhat. The tragedy of her knowing that she couldn't be with Marius because of his social class and her accepting that (angrily? sadly?). I love her self-banishment as his guard dog because of this. I love her drunk sailor voice. I love how manipulative she is and that she isn't Marius's friend at all. He's just her one neighbor who wasn't a total asshole one time. He was, later. But not at first. And she can't be in his head and know he thinks she's kinda despicable because crime because Marius is a judgemental little shithead.

And Eponine isn't an idealist, she's resigned to her position. I understand why she gets paired with grantaire in fics but her canon narrative parallel is Javert, they both believe they are excluded from society from their outcast position and so become the watchdogs for it. Eponine a kind of guardian (in her own words a devil, not an angel) and Javert the same. That's why he's the one person who sees her in the barricade, he's the same as her. Marius saw her but that's only cause he had a use for her in that moment, as soon as she didn't he forgot all about it.

I think also Gavroche, with his ability to be kind of a figure above the narrative, with his gamin skills of being almost omnipresent is something Eponine used to have, but with her age she's starting to lose that. She's starting to grown old enough that she's required to be IN the world and not supercede it. Gavroche is also almost there, if he had been allowed to grow up he would've lost that ability too. They both inhabit this sort of magical surreal world superimposed on our own.

A lot of Les Mis and Notre Dame de Paris can be kinda described as magical realism, I would go so far as calling them urban fantasy. And characters like Babet, Thenardier sometimes, Gavroche, Eponine (and Javert sometimes as well) are inhabiting this magically charged layer. This reality that's imposed Over the real world.

Talking about that One Series Of Wizard Books is a bit passé rn so uh. Doctor Who. Particularly the initial New Who seasons before they got that huge budget. That's a good parallel to what I'm getting at. The real world is still the same but there are certain characters that inhabit this mystical overlayer and are able to transverse from one to the other (Javert can't really because he is stuck forever outside and the second he understands that you CAN'T be an unbiased outsider who only enforces the norm without participating he freaks out and literally dies about it). Eponine is right in the eye of the storm tho. She manipulates reality to get her way, to die with Marius, because that's as close as she can get to being with him. And she manipulates reality to protect him too. Contradictions be damned. She has many contradictory feelings that make her complex and cool and an awesome character whom I love and wish would stop being reduced to the glamurous mysical theatre role with a single black stain on her face and a beautiful actor and a big unrequited love song about a random boy (whose personality was also changed for the musical and I argue is probably the character that was most fucked up by it in the public perception because he's such an weird little self-insert of an even weirder guy. But I get it, the musical is long enough as it is).

Anyway, I wish eponine could be more of a mongrel, a little gremlin. A little rat child that's just beginning to grow into an adult and is self aware of her role in the narrative society. She's a teenage girl which already sucks to go through when you're not constantly starving and cold and being forced by your father to work and do con jobs. Marius is the object she attaches herself to, but it could've been literally anything. Javert did that with the social order, he protects and guards it. She just chose Some Guy instead. Which, we all have that one friend who does that too. Like girl you're too good for him. Come on let's get you sone ice cream. And clean clothes and a roof. Literally anything. Bread.

I think if Eponine had a roof over her head and like, food on the regular she would forget Marius exists. Same as Cosette if she had moved to England. Like he'd be that one intense crush they had as teenagers. Can't say the same for him tho. He would hold onto that for the rest of time.

[projectjasper]

ARCHER'S WE ARE FANCON EXPERIENCE

i promised i would share my feelings, so here they are!

first of all, while i do still maintain that the venue was too small for how beloved the series is, even with the split into two days, and i have some gripes with merch sales, the organisation was otherwise good. it was always very clear where and when you needed to go and what you needed to do, which is always great for an anxious person like me. all the explanations were in three languages too (thai, english, and chinese), so navigating the space and the benefits was easy. the little setup of things to do before the concert starts was also great - there were merch booths for all of the boys who had merch to sell (which is everyone aside from aouboom), there were photobooths with different 'we are' themed templates, there was also, of course, gasha (or, as i like to call them, gambling machines) but hey! i got some merch off of that as well, so i'm honestly not even complaining.

now, onto the actual show! it was incredible, i can hardly imagine anything that would need to be added or changed. it honoured both the series and the artists on their own in many ways.

there were multiple performances with the entire cast, including a surprise appearance of jj, tee, and pepper (or, our mattmickbeer trio) during one song, who then also stuck around to talk about their characters and favourite scenes. friendship is a huge part of the series and they did not forget that. a lot of stage backgrounds and props were an homage to the series too (the one that felt particularly thought-out to me was the background for 'truth in the eyes', which was a lush garden - a callback to the mv's concept metaphor). the couples performed both their main songs and also one cover each, which were picked out by every cp for different reasons, but all of which were great. before every main song, there was a little video with the couple's moments that encapsulated their relationship, and they were really lovely and well-done (a great way of giving the artists a second to breathe too).

i think there was also pretty much everything each of the main eight could want to do on stage. pond and aou got to dance (together as well!), winny got to rap, phuwin and satang got to sing together. at least from what they said, they were given a lot of creative liberty in terms of choosing what they want to sing and do on stage as well, so that is also lovely. all of the performances were, of course, absolutely fantastic and even exceeded my expectations in some ways.

all the little chats between performances were also wonderful and everyone (or, almost everyone) got really emotional closer to the end. we had marc crying first, talking about how much this experience means to him and thanking poon for being his first real partner, and then the floodgates just opened. poon also teared up, winny started crying because marc started crying, then he cried some more when he actually started speaking himself, then satang started crying too, they talked about how much all of this means to them and how much they mean to each other, they held hands. then dear sweet boom almost sobbed on stage and aou cried too - they were also very thankful for everything and especially each other. pond tried very hard not to cry (and succeeded by breathing out every ten seconds and twirling around the stage), talking about how happy he is that everyone loved the series and them so much, saying that the cast became like a little family, and thanking phuwin for being a great partner, and phuwin also talked about how he was afraid of having high expectations and how grateful he is to the cast and the fans. this was definitely one of those moments, which made the whole experience so much more meaningful and emotional. i also wanted to hug all of them and tell them how amazing they are 😭

the appreciation for the audience was huge throughout. pond kept putting his hand at his forehead to try to see all the fans sitting farther away, at one point aou asked for the lights to be turned on, so they could see everyone, during the last performance (which was 'we are forever'), they all came down from the stage and walked around us, waving at everyone.

after the huge three hour concert, there were still the benefits to work through, which ended up going on for five hours (until almost 2 am). the boys were all really lovely and nice throughout and i'm genuinely impressed by their ability not to let the understandable tiredness that they were all feeling interfere with their interactions with fans and each other.

so, to conclude! this was an absolutely incredible experience and i am so happy i decided to come here for the fancon (and actually managed to get the ticket). there are multiple countries they are going to next, as you know, and there will likely be more added in the future. so if you live in any of those countries, i am definitely saying you should go. and if you don't but it is within your means to go and you just weren't sure whether the fancon is worth an entire trip abroad - i am confirming that it very much is. i am confident you would not regret going.

[stargareed]

Why I Love Book!Dany

If she had been some ordinary woman, she would gladly have spent her whole life touching Daario, tracing his scars and making him tell her how he’d come by every one. I would give up my crown if he asked it of me, Dany thought … but he had not asked it, and never would. Daario might whisper words of love when the two of them were as one, but she knew it was the dragon queen he loved. If I gave up my crown, he would not want me. Besides, kings who lost their crowns oft lost their heads as well, and she could see no reason why it would be any different for a queen.

- Daenerys VII, ADwD

This single paragraph perfectly encapsulates why book!Dany is such a compelling character.

First, Dany loves deeply. Her heart is simply overflowing for Daario here. And while as a Jonerys fan I don’t think Daario is good enough for her, it makes me happy that she freely chose him (unlike Drogo) and is enjoying him to the fullest. After all, she deserves the excitement he provides as she is carrying the weight of the world on her teenage shoulders.

Second, she’d freely choose love over power. She explicitly says she’d give up her crown for Daario if he asked. I was surprised when I first read this as it seemed to contradict the power-seeking narrative surrounding Dany. And while she does want to take back the Seven Kingdoms for House Targaryen, she’s also a romantic at heart who is capable of choosing love over duty. Other posts have emphasized the fascinating tension within Dany of the dutiful Queen vs. the love-sick girl. It’s just another example of GRRM’s “human heart in conflict with itself” writing style. (And, as a Jonerys fan, I hope that one day she’ll meet a fella who checks all her boxes, someone she could marry for love AND duty!)

Third, Dany doesn’t buy into the hype surrounding her, despite people being in awe of her and her immense power. She’s full of self doubt, despite her many successes. She’s also perceptive enough to know that when men like Xaro Xhoan Daxos and Daario praise her, it is because they want something in return. Dany realizes that, ironically, the minute she gave up her crown for Daario, he’d lose interest in her. (Of course, as a Jonerys fan, I can’t help but yearn for her to meet someone who would love her the same regardless of whether she was a Queen or a beggar.)

Dany’s discernment will help her be a great queen. It’s also another parallel she has with Jon. See Bran I, AGoT (“Jon’s eyes were a grey so dark they seemed almost black, but there was little they did not see.”); Jon I, AGoT (“Jon had noticed that too. A bastard had to learn to notice things, to read the truth that people hid behind their eyes.”).

Fourth, she’s shrewd enough to recognize the consequences of her actions. Dany realizes that if she gave up her crown, her life would be in danger. This is part of power’s trap: once you pursue it, you can’t stop, even if you want to. It’s another reason why she has the weight of the world on her shoulders, and why as much as the Jonerys fan in me cringed at her love scenes with Daario in ADwD, I’m grateful she had those experiences.